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In reply to the discussion: Cracker Barrel loses almost $100 million in value as stock plunges after new logo release [View all]LeftInTX
(33,246 posts)89. I've never eaten at Cracker Barrel, but if I was a customer, the new logo would not change my attitude.
When Kentucky Fried Chicken changed to KFC, I didn't like it, but it didn't stop me from eating there either.
In general, most consumers do not like new logos.
Land O Lakes is another example. The original was beautiful and was designed by a Native-American. But they got rid of it. Was it offensive? I do not think so. It so beautifully depicted the scenery and the Native-American was beautiful. In northern Wisconsin, the reservations still host pow-wows and to the best of my knowledge, most people don't find them offensive.
https://www.tptoriginals.org/is-the-land-olakes-maiden-a-racist-trope-or-symbol-of-native-pride/
It was in this cultural milieu that young artist Patrick DesJarlait was tasked with reworking the Land O'Lakes maiden in 1954. Created by a white artist in 1928 and reworked once before in 1939, Mia needed Patrick's help. He pulled from his own life experience to put Mia in a real Minnesota place: The Narrows, where Upper and Lower Red Lake connect. He refined her character, updating her visage and attire, including Ojibwe beadwork designs on her dress. He brought the "O" in Land O'Lakes down so it looked almost like a halo on a Byzantine religious icon. In the end, Patrick's 1954 creation of Mia served as the virtually unchanged centerpiece of Land O'Lakes branding until her retirement in 2020. That's an extraordinarily long tenure in the branding world.
For Robert, Mia's removal was bittersweet. "I've never seen Mia as a stereotype. I know my dad didn't intend to create a stereotype... [He was] trying to show more the beauty of Native women." Robert acknowledges that perhaps, over time, she had devolved into a stereotype, not because of how his father rendered her, but because of how the public is thinking more critically about cultural matters these days.
It was in this cultural milieu that young artist Patrick DesJarlait was tasked with reworking the Land O'Lakes maiden in 1954. Created by a white artist in 1928 and reworked once before in 1939, Mia needed Patrick's help. He pulled from his own life experience to put Mia in a real Minnesota place: The Narrows, where Upper and Lower Red Lake connect. He refined her character, updating her visage and attire, including Ojibwe beadwork designs on her dress. He brought the "O" in Land O'Lakes down so it looked almost like a halo on a Byzantine religious icon. In the end, Patrick's 1954 creation of Mia served as the virtually unchanged centerpiece of Land O'Lakes branding until her retirement in 2020. That's an extraordinarily long tenure in the branding world.
For Robert, Mia's removal was bittersweet. "I've never seen Mia as a stereotype. I know my dad didn't intend to create a stereotype... [He was] trying to show more the beauty of Native women." Robert acknowledges that perhaps, over time, she had devolved into a stereotype, not because of how his father rendered her, but because of how the public is thinking more critically about cultural matters these days.
OTOH, even the name "Aunt Jemima" was offensive, not matter how much they modernized her, so I believe they changed the name to "Pearl Milling"
Oh well, move on...
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Cracker Barrel loses almost $100 million in value as stock plunges after new logo release [View all]
Polybius
Friday
OP
Second most hated marketing department after Sirius Cybernetics Corporation's nt
Xipe Totec
Friday
#44
Or the decision was made after conducting focus groups comprised of Gen Z's and Millennials
Auggie
Friday
#6
Also, once Miguel Cabrera was being intentionally walked, and got a hit anyway
Polybius
Saturday
#106
And lowered the pitcher's mound by an inch or so. That is to allow more home runs.
3Hotdogs
Friday
#16
I've not heard about this, and can't find any verification online. Do you have a link?
TheRickles
Friday
#19
Yes, I knew about the 1969 change. Your post sounded like another, more recent change had been instituted.
TheRickles
Friday
#35
Doing many things to speed up the game. Only so many throws to first by the pitcher are allowed
Bengus81
Saturday
#74
No, the screw-up was overestimating the intelligence and emotional maturity of their customers.
Paladin
Friday
#8
I should have been more clear, as I was referring to certain products and businesses
Polybius
Saturday
#91
I've never eaten at Cracker Barrel, but if I was a customer, the new logo would not change my attitude.
LeftInTX
Saturday
#89
They changed the name to Edy's Pie, because they said "Eskimo" is no longer PC
Polybius
Saturday
#95
Exactly. Cracker Barrel's logo change became the most recent exmple of "evil wokeism" for right-wingers.
sop
Saturday
#73
Disney came under lots of criticism when they changed their Aunt Jemima pancake house in Disneyland.
ificandream
Sunday
#116
One thing that we took comfort in when my MIL passed away--no more visits to Cracker Barrel
Maeve
Friday
#14
I can't understand why anyone rational is "upset" about a minor change in the logo of a cheap restaurant
muriel_volestrangler
Saturday
#75
I love the new logo. To me, it looks like "woke" and "DEI" rolled into one image.
JustABozoOnThisBus
Friday
#27
Awesome strategy ... 10 more one-percenters just sold their stock in Cracker Barrel
FakeNoose
Friday
#29
What kind of idiot eats at a restuarant because of their logo? Or doesn't eat at a restuarant because of their logo?
Ferrets are Cool
Friday
#33
And the poor old man leaning on the barrel lost his job. So sad. nt
JustABozoOnThisBus
Saturday
#102
it ain't broke, just increasingly old and obsolete, the new logo is just bland not woke
pstokely
Saturday
#115
I like Cracker Barrel food and their prices are reasonable. They have some things you don't see other places
doc03
Saturday
#79
Just knowing I would never run into James Woods would be an incentive to eat there.
Greybnk48
Saturday
#94
if someone is going to botcott cracker barrell over new logo they are an idiot
moonshinegnomie
Saturday
#110