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highplainsdem

(57,935 posts)
Fri Aug 29, 2025, 11:21 AM Friday

The first US concert of the Oasis reunion tour was in Chicago last night, and the rave reviews are continuing

From Billboard:

Oasis Blast Chicago Fans With Sonic Overload at First U.S. Reunion Show: ‘We Invented All This Madness’
https://www.billboard.com/music/rock/oasis-chicago-recap-live-25-first-us-show-1236054325/

It’s been said countless times since Liam and Noel Gallagher buried the hatchet last year to launch their rapturously received Oasis Live ’25 reunion run, but the formerly quarrelsome siblings who used to make Cain and Abel look like the Kelce brothers have found that special magic again. And then some.

When the tour finally hit U.S. shores on Thursday night (Aug. 28) at a sold-out Soldier Field in Chicago for one of only five American dates, there was an unmistakable, heart-warming majesty to the display of true brotherhood between the Gallaghers. From their now signature hand-in-hand walk out to subtle nods and hip-check nudges between them, the years of estrangement seemed like an ancient memory, leaving in their place a dedication to playing their most beloved songs as loudly, brashly and tightly as ever.

-snip-

One thing that hasn’t changed is singer Liam Gallagher’s punkish swagger, as evidenced by the shades that never left his face for the duration of the two-hour, 23-song gig and his playful shout-out to the “drug takers” and “glue sniffers” before “Bring It On Down.” Whereas in years past the band’s formerly volatile vocalist might have tossed the occasional tambourine or maraca in frustration — he’s now banned from letting any instruments fly for safety reasons, if you can believe it — the closest he got to maligning one of his instruments in Chicago were the few times he playfully clamped his tambo between his teeth during instrumental passages.

-snip-

Oasis have nothing left to prove. Their songs have, and do, stand the test of time. Their rancorous days seemingly are behind them, they have mastered the art of turning a football stadium into a pub sing-along with 60,000+ of their closest fans. But perhaps most impressive of all, they returned from a potentially career-killing hiatus just as strong, if not stronger than they were, minus the baggage and plus the hard-earned wisdom to trust that the songs are more than enough.



From Rolling Stone:

Oasis Finally Conquer America at First U.S. Show in 17 Years
https://www.rollingstone.com/music/music-live-reviews/oasis-live-25-reunion-tour-first-us-concert-1235415086/

-snip-

Last night in Chicago, however, at the first U.S. show of Oasis’s still hard-to-believe Live ’25 reunion tour, the Gallaghers — after weeks of increasingly warm hugs, smiles, and ass grabs — seemed intent on finishing what they started on their debut tour of America in 1994. This was a band that, despite 16 years apart, looked and sounded capable of taking over the stadium-rock throne that’s soon to be vacated by perennial seat-fillers like the Rolling Stones, Bruce Springsteen, and U2.

-snip-

Liam’s discipline and steady demeanor have been the revelation of the Live ’25 Tour. No frontman in rock & roll conveys so much by doing so little, and at Soldier Field, his most grand gesture was marching in place during a show-ending “Champagne Supernova.” During “Wonderwall,” he pulled up the hood on his anorak to all but obscure his face, letting his vocal — that unmistakable whine still packs a wicked punch — command the stage.

But Oasis fans don’t come expecting outsized theatrics from Liam. He long ago cemented his place in the pantheon of rock silhouettes simply by singing with his hands clasped behind his back, his neck craning upward to the microphone. During “Stand by Me,” he added a dash of flair, goading fans into singing the final chorus by repeatedly flicking his ears. “Fookin’ mega to be back in America,” he said. “We’ve always loved ya.”

Older brother Noel, meanwhile, has loosened the dour visage he seemed to be sporting at early reunion concerts. To some fans who dissected the first few shows of the tour with all the intensity of history buffs examining the Zapruder film, it seemed that something was amiss with Oasis’s guitarist and chief songwriter. He looked sheepish, even reluctant. But with every concert since, he’s let down his guard, shooting smirks and glances at Liam and cheekily introducing the band — “Mr. Bone,” Noel referred to original guitarist Paul “Bonehead” Arthurs in Chicago. During “Champagne Supernova,” he was all but beaming.

-snip-



And from the UK's Times:

Is America finally warming to Oasis? Definitely, maybe
https://www.thetimes.com/us/news-today/article/oasis-us-return-chicago-dfg6zfk2v

Liam Gallagher shuffled to a microphone and looked out at 60,000 Americans, all gathered on a summer’s evening in a Chicago stadium. There was something that needed to be said.

“I know you think we don’t like yer,” he said. “But we f***ing love yer.”

It was an olive branch. He wielded it like a blunt instrument, but the message struck home. After so many misfires and misunderstandings, Oasis was back in America, determined to make things right.

-snip-

All day, to the bemusement of some locals, central Chicago had steadily filled with people in bucket hats and sky-blue shirts. A pop-up store selling Oasis T-shirts and anoraks had a line outside it that stretched for two city blocks. A fifty-year-old truck driver from Indiana named Chad Collins stood in the queue with his two daughters, reminiscing about the early days of Oasis. Their music “is about getting out of your environment”, he said. “You can’t go wrong with that.”

-snip-



I can't help wondering if Liam assuring US fans that the band loves them has to do with a rather snide and clueless CNN article from a couple of days ago

Oasis never really cared about America. Is America ready to care about them?
https://www.cnn.com/2025/08/28/entertainment/oasis-gallaghers-us-tour-cec

which stupidly criticized Oasis for not having been "stage-managed" enough for US fans in the '90s. For not having been impressed by and subservient to what Noel referred to as "corporate people."

Funny, I don't recall ever wanting rock bands to be "stage-managed" and corporate-friendly. Certainly don't remember that being expected of the Who, the Rolling Stones and Led Zeppelin.

Despite the silliness of much of the article, it included one comment I really liked, from a producer who expects this Oasis tour to inspire "a thousand incredible bands."

We can all look forward to that.
8 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
The first US concert of the Oasis reunion tour was in Chicago last night, and the rave reviews are continuing (Original Post) highplainsdem Friday OP
Thanks for the rec, speak easy, and apologies for not seeing that you'd already posted about the highplainsdem Friday #1
No harm done. Really not a problem/ speak easy Friday #2
Thanks, for the reassurance and the hug, but it really was and is a problem for me. I was so glad to see highplainsdem Friday #3
Another rave, from the Chicago Sun-Times: highplainsdem Friday #4
From the Third Coast Review, a Chicago arts and culture magazine: highplainsdem Friday #5
From Consequence of Sound (Consequence.net): highplainsdem Friday #6
From Ultimate Classic Rock: highplainsdem Friday #7
From the NY Times opinion page: highplainsdem Saturday #8

highplainsdem

(57,935 posts)
1. Thanks for the rec, speak easy, and apologies for not seeing that you'd already posted about the
Fri Aug 29, 2025, 11:56 AM
Friday

Rolling Stone and Billboard reviews, plus a CBS News video story, before I finally finished and posted my OP about the Billboard and RS reviews and two other articles. That'll teach me NOT to take time while writing a long post to fix and eat breakfast. Or at least to check to make sure there wasn't a similar post in the meantime that I'd be partially duplicating.

I was replying to your OP when you deleted it. Fortunately I still had your OP there, and copied it and sent it in an email to you.

Please repost it. You.had different focuses on the Billboard and RS reviews, and that CBS News video, plus a video from last night's concert.

I'm so sorry I didn't check.for any new OPs here before posting mine. Mea culpa.

highplainsdem

(57,935 posts)
3. Thanks, for the reassurance and the hug, but it really was and is a problem for me. I was so glad to see
Fri Aug 29, 2025, 12:44 PM
Friday

your OP, and upset that I hadn't seen it before I posted mine so I could edit mine so it wouldn't step on yours.

I see you did repost the concert video from.your deleted OP. Thanks for doing that!
https://www.democraticunderground.com/1034150537

highplainsdem

(57,935 posts)
4. Another rave, from the Chicago Sun-Times:
Fri Aug 29, 2025, 05:45 PM
Friday
Review: Oasis rewrites history with unified performance signaling second coming of Britpop band
https://chicago.suntimes.com/music/2025/08/29/review-oasis-soldier-field-liam-noel-gallagher-reunion-tour

You might want to check on your friends who weren’t able to make it to Oasis at Soldier Field on Thursday night. They missed the single biggest do-over in music history.

Back on Aug. 28, 2009, Oasis officially called it quits after a backstage fracas between the Gallagher brothers placed a seemingly permanent tombstone over the band. Yet exactly 16 years later, during the first American date of a once-implausible reunion tour, Noel and Liam effectively rewrote the events of that infamous date with a unified performance that signaled a second coming of the biggest Britpop band of all time.

-snip-

It wouldn’t be hyperbolic to call this tour on par with a Beatles or Zeppelin moment, especially for many in the crowd of a certain generation who never got a fair shot at the greats. To hear “Wonderwall” and “Champagne Supernova” in the flesh, with towers of speaker stacks and 60,000 people screaming along to every word, it’s a rite of passage that you can only hope every music fan gets to experience at some point in their life. Openers Cage the Elephant even referred to the night as an “out of body experience” as the band tore through “Ain’t No Rest for the Wicked” and “Shake Me Down” to help rile up the crowd.

-snip-

While the brothers have spent the past 16 years creatively fulfilled in their solo works — Noel’s High Flying Birds and Liam’s eponymous catalog — there’s no comparing it to when the brothers work together. They couldn’t be more night and day, yin and yang — Liam the bawdy show boater, Noel the calm and focused captain — but you can’t have one without the other. And Oasis wouldn’t be the same without each playing his very necessary role. Yet while Liam has often been the one to consistently grab attention for his antics (Thursday he stuck to simple comments like introducing song titles as if we didn’t remember them and cheekily gripping a tambourine in his mouth), this tour puts an even bigger spotlight

-snip-


highplainsdem

(57,935 posts)
5. From the Third Coast Review, a Chicago arts and culture magazine:
Fri Aug 29, 2025, 06:00 PM
Friday

Review: After a 16-year Absence, Oasis’ Return to the U.S. Is Biblical
https://thirdcoastreview.com/music/2025/08/29/review-after-a-16-year-absence-oasis-return-to-the-u-s-is-biblical

-snip-

There's no need to run over the details of the band's first run, but a snapshot: in the mid-‘90s their first two albums in particular produced multiple international hits with huge guitars, Liam's distinctive sneering bullhorn rawk 'n roll vocals countered by Noel's more soaring honeyed tenor, and a deep love of The Beatles and simple song structures that pack a universal wallop. And the brothers famously fought. A lot. And the press loved to exacerbate those issues, but I confess I never really bought into the "they really hate each other" thing. I know fame complicated things, but these two are brothers, and I never doubted they would eventually reunite.

The band opened this tour with a few U.K. shows, including an instantly legendary (and probably excellent for the U.K.’s tourism industry since I know an astounding number of people who ventured overseas for those shows) 7-night run at Wembley Stadium, and the band has been VERY good about setting a distinct number of steps and events around each show. So, by the time it got to Chicago, we knew exactly what we were in for: two hours of hits with a firmly established setlist, with Los Bros Gallagher evidently having a good time at every show so far.

-snip-

To help orient you in my own tastes, so you can better re-frame my thoughts in relation to your own expectations, I will share that my personal highlights were the B-side anthem "Acquiesce" with its soaring refrain seemingly crafted around the onstage siblings, "Because we need each other / We believe in one another / And I know we're going to uncover / What's sleeping in our soul" and the borderline orch-pop of another legendary non-album single "Whatever." And a particularly emotional delivery of "Little By Little" by Noel showcased the band can access emotional depth and turn it into a stadium anthem. Those moments might have made made me smile widest, but at not point of the set did I stop smiling.

Which brings us to "biblical." Any concert can be a person's church, but an Oasis show is a huge primal force whose waves of distortion and sing-along melodies transmogrify into a blanket that falls over the massed crowd, pulls them more tightly together, and unites tens of thousands into a single heartbeat and voice. This is the power of Oasis and the Gallagher brothers that first made them stars and then launched them into the realm of living legends.***


And those 3 asterisks are for a note that reads: "I know this phrase can get abused, but I assure you in this instance it is not hyperbole.

highplainsdem

(57,935 posts)
6. From Consequence of Sound (Consequence.net):
Fri Aug 29, 2025, 06:13 PM
Friday
Oasis’ First US Show in 17 Years Felt Like “The Eras Tour” for Blokes: Review + Photo Gallery
https://consequence.net/2025/08/oasis-chicago-live-25-concert-review-photos/

-snip-

After setting the mood with Neil Young’s “Rockin’ in the Free World” and a hype video set to “Fuckin’ in the Bushes,” the two brothers walked out hand-in-hand to a roaring, salivating audience. From there, they immediately settled into their roles. Noel looked focused, a little strained, and didn’t say much outside of his song introductions, and Liam proved that he hasn’t lost an ounce of his rockstar appeal.

Seriously, it’s stupid how much snarky charisma Liam continues to boast in the year of our lord 2025. He’s certainly matured, learning to channel and control his angst in a way that won’t blow up the band for a second time, but he’s managed to retain a level of over-the-top, quick-witted ego that’s hard not to love. He chews up every second the camera is on him, from his iconic stance to blessing himself with his water bottle to having a little too much fun with his maracas and tambourine.

Sonically, the gang sounded as good as they looked. Both Liam and Noel’s voices were on point, soaring to particularly spectacular heights when harmonizing, and the band had their many, many amps cranked the hell up. Oasis entered Soldier Field to a warm audience; people were pumped. So, making it through the first few cuts without issue was almost inevitable. The real trick was sustaining that energy for two hours, and thanks to the strength of the songs and performances, the electricity rarely flickered.

In that way, Oasis’ “Live ’25” is kind of like the “Eras Tour” for blokes who enjoy themselves a pint and maybe a little horsing around. The excitement of the show almost precedes the night itself — everyone feeds off of it, and as long as the artist at the center of attention can keep up their end of the bargain, it’s bound to be a special time for everyone involved.

-snip-



The review then goes off the rails saying that the main difference with the Eras tour is that Oasis focused on music from the band's first few albums.

That's one of the differences.

But the main difference is that Taylor Swift, while putting on a very impressive show, was miming while dancing.

Oasis are singing and playing live.

Anyway, more at the link, including a list of "the best quips and Gallagher-esque moments from the night."

highplainsdem

(57,935 posts)
7. From Ultimate Classic Rock:
Fri Aug 29, 2025, 11:20 PM
Friday
Oasis Finally Conquers America: Chicago Show Review and Set List
https://ultimateclassicrock.com/oasis-chicago-2025-review/

-snip-

By the time the intro video played on the stage screen, it was impossible to hear anything but the roar of the crowd. Then, when Liam and Noel (raising each other’s arms), guitarists Paul “Bonehead” Arthurs and Gem Archer, bassist Andy Bell, and new drummer Joey Waronker emerged, the noise went to 11.

Despite playing the same set throughout this year, the excitement and energy was inescapable. In the excellent 2016 documentary, Oasis: Supersonic, Liam said, "We weren't the best musicians in the world, but we had spirit." While he may have undersold the band’s chops at the time (which are much more polished 30 years later), he was absolutely correct about the latter.

That’s why beloved songs like “Acquiesce” and “Some Might Say” are, to a degree, more emblematic of Oasis than their biggest hits. On this night, these songs served as mission statements, with “Acquiesce” serving as Chicago’s biggest bar sing-along. Somehow, Oasis harnessed the spirit that won over fans at the band’s first show in the Windy City, less than 10 miles away at the Metro, at a venue nearly 50x larger.

-snip-

When they first formed nearly 35 years ago, Oasis unapologetically set out to be the biggest band in the world. Playing clubs, theaters, amphitheaters, and arenas wasn’t good enough. They wanted to play in the biggest stadiums in the country. Now, after years of chasing success in the States and then disappearing, Liam and Noel finally achieved what they wanted: they conquered America.

highplainsdem

(57,935 posts)
8. From the NY Times opinion page:
Sat Aug 30, 2025, 11:17 AM
Saturday
Oasis Finally Sells Out (Stadiums)
https://www.nytimes.com/2025/08/30/opinion/oasis-tour-america.html

Oasis always knew it deserved to be huge, and back home in Britain, it was from the start. It’s a rock ’n’ roll institution there, with the inconsolably volatile, eternally bickering brothers at the heart of the band, Liam and Noel Gallagher, aging (if not quite mellowing) into sage but profane pop culture elders. In America, however, Oasis never really broke big. Until now.

-snip-

Most critics think that Oasis made two truly great albums: “Definitely Maybe” and its follow-up, 1995’s “(What’s the Story) Morning Glory?” Gen Z, unspoiled by decades of exposure to critiques of Oasis’ five other releases, has embraced a number of the band’s lesser-known tracks. Spotify saw a significant rise in Oasis’ streaming numbers the first weekend of the band’s reunion tour, and the service reported that half of the 16.6 million new Oasis listeners are members of Gen Z.

I always loved Oasis for its unapologetic megalomania and the band’s genuine unfilteredness, confidence and willingness to provoke purely for laughs (“Pitchfork” has called them insult “artisans”), which definitely fits this cultural era for young people. Gen Z kids have grown up in a world where everyone everywhere is afraid of saying or posting or retweeting the wrong thing all the time. The enemies of rock ’n’ roll are self-consciousness and self-seriousness, and although the guys from Oasis take themselves and their band seriously — sometimes painfully so — they also get that this is supposed to be fun.

-snip-

The Gallagher brothers have always been sardonic, but they have never been ironic. Underneath the bucket hats, they are as romantic about rock ’n’ roll as it’s possible to be. There is no era as defined by the pose of the disaffected rock star as the ’90s, the ultimate age of irony. Nirvana’s “Smells Like Teen Spirit,” the defining song of the decade, is a literal satire of the rock ’n’ roll anthem. The opening track on Oasis’ first album is called “Rock ‘N’ Roll Star.” It’s an earnestly aspirational tribute to the glory of the rock ’n’ roll life and a mission statement the band has been allegiant to for over 30 years, even when the fans, at least in America, didn’t buy in.

-snip-
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